“…if you listen carefully, you can almost hear the sound of a gentle breeze in the rushes as you laze on a soft picnic blanket, staring up into the blissful blue.”
Hood ‘Cold House’ (interview with Richard and Chris Adams)
“When I think of ‘Cold House’ I just think of one thing and that is rain. Relentless freezing cold rain.” – Richard Adams
Arcane Delights Radio Show 1 (CAMP Radio, 8/8/20)
Music in the margins
Brendan Perry (Dead Can Dance) interview
“Homo sapiens have stayed pretty much as they were, as hunter/gatherers, except that they have supermarkets now where they gather. “
The Wolfgang Press – ‘Queer’ (4AD/Time Warner, 1991/1992)
“The city is weird now, like all cities are weird now—but Queer still thrills; it still makes me want to move.”
Felt – ‘The Splendour Of Fear’ (Cherry Red, 1984)
“…for me, the best album is The Splendour Of Fear. It’s like a complete atmosphere, a complete mood….”- Lawrence, Felt
Robin Saville & Oliver Cherer – ‘Sizewell’ (Modern Aviation, 2019)
“Given the historical propensity of both to dabble in burbling synths, drones and conceptualities, it’s often difficult here to identify where Saville stops and Cherer starts (and vice versa). “
Unwed Sailor – ‘The Faithful Anchor’ (Lovesick Recordings, 2001)
“When someone hears Unwed Sailor, I want them to be able to reflect in their mind…To reflect on things they’ve been through, beautiful places they’ve been and experiences that have shaped them. I want their lives to be reflected in the songs.”
Thirteen Moons – ‘Origins’ (Wire Records, 1987)
“…a Kodak dreamscape of distant spires and dewy village greens…”
Pacific – ‘Inference’ (Creation Records, 1990)
“In every race, the also-ran, in every play, the understudy, at every festival, a bottom of the bill. And so to Pacific. “