“For all this talk of Summer and love, there’s a worm in Disco Inferno’s apple that never really ever goes away.”
Category: Reviews
Reviews
Harold Budd – ‘The Pavilion Of Dreams’ (Obscure Records, 1978)
“I realized I had minimalized myself out of a career. It had taken 10 years to reduce my language to zero but I loved the process of seeing it occur and not knowing when the end would come.”
The Durutti Column – ‘Without Mercy’ (Factory Records, 1984/Factory Benelux, 2018)
“But wait! A drum machine in a modern classical piece? Only on Factory Records. I’ve never, to this day, heard anything so wrong be so right. “
Heavenly Bodies – ‘Celestial’ (Third Mind Records/C’est La Mort, 1987)
“The ghost of early Dead Can Dance understandably lingers in the tribal percussion and heavily reverbed guitar work and Seaman’s voice is most definitely from the school of Lisa Gerrard, albeit via Alison Shaw.”
Spoonfed Hybrid – ‘Spoonfed Hybrid’ (Guernica, 1993)
“…an album that’s both more varied and sonically untethered than any of their previous incarnations, the noisiness of their previous groups consigned to the corner, allowing a vast space for a plethora of electronic and acoustic instruments to interact, meander and contort…”
Jane And Barton – ‘Jane And Barton’ (Cherry Red, 1983/Optic Nerve Recordings, 2016)
“…if you listen carefully, you can almost hear the sound of a gentle breeze in the rushes as you laze on a soft picnic blanket, staring up into the blissful blue.”
The Wolfgang Press – ‘Queer’ (4AD/Time Warner, 1991/1992)
“The city is weird now, like all cities are weird now—but Queer still thrills; it still makes me want to move.”
Felt – ‘The Splendour Of Fear’ (Cherry Red, 1984)
“…for me, the best album is The Splendour Of Fear. It’s like a complete atmosphere, a complete mood….”- Lawrence, Felt
Robin Saville & Oliver Cherer – ‘Sizewell’ (Modern Aviation, 2019)
“Given the historical propensity of both to dabble in burbling synths, drones and conceptualities, it’s often difficult here to identify where Saville stops and Cherer starts (and vice versa). “
Unwed Sailor – ‘The Faithful Anchor’ (Lovesick Recordings, 2001)
“When someone hears Unwed Sailor, I want them to be able to reflect in their mind…To reflect on things they’ve been through, beautiful places they’ve been and experiences that have shaped them. I want their lives to be reflected in the songs.”
